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Previous issue date: 2012-10-08 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / This thesis aims to investigating the cantadores and the toadas in the Boi
Bumb?, debating questions which put together around the construction and
performance of amo s and cantador s role in the Boi Bumb? Caprichoso of
Bel?m-PA city and exploring the extent of toadas its characteristics, functions,
the uses that are made of theirs and the relations that establishes between
them and the cantadores. The problematic of the research consisted on
analysing what the amos, cantadores and toadas represent in the whole context
of boi-bumb? plays in Bel?m, nowadays. Considering this perspective, I tried to
identify on Boi Caprichoso the most meaningful expressions which were related
to toadas and how the roles of amo and cantador were performed. Participative
observation, ethnical research, open and semistructured interviews were used
as research methods. The role performances on Boi Caprichoso plays an
essential part on the playing realization, highlighting themselves as pivotal
characters. These performances, characterized by the vocal presence, also
highlighted the size that toadas occupy in the whole play, and pointed the way
for an emerging model of presentation, in which both toada and cantador
appear as central figures / Esta disserta??o tem como objetivo investigar os cantadores e as toadas na
brincadeira do boi-bumb?, trazendo para o debate quest?es que se
agregam em torno da constru??o e da performatiza??o dos papeis de amo
e de cantador no Boi-Bumb? Caprichoso de Bel?m-PA e explorando o
?mbito das toadas no que diz respeito as suas caracter?sticas, fun??es, os
usos que delas s?o feitos e as rela??es que se estabelecem entre elas e os
cantadores. A problem?tica da pesquisa constituiu-se em analisar o que os
amos, os cantadores e as toadas expressam no contexto atual das
brincadeiras de boi-bumb? em Bel?m. Nessa perspectiva, busquei
identificar no Boi Caprichoso express?es significativas em rela??o ?s toadas
e a performatiza??o dos papeis de amo e de cantador. Foram utilizadas
como m?todos de pesquisa, a observa??o participante, a pesquisa
etnogr?fica e entrevistas abertas e semiestruturadas. A performance em
torno desses papeis no Boi Caprichoso se faz primordial ? realiza??o da
brincadeira, evidenciando-os como personagens pilares. Tais performances,
marcadas pela presen?a da voz, tamb?m evidenciaram a dimens?o do
espa?o das toadas na brincadeira e sinalizaram para um emergente modelo
de apresenta??o no qual toada e cantador figuram como elementos
centrais
Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/12280 |
Date | 08 October 2012 |
Creators | Nascimento, Lanna Patr?cia Marques do |
Contributors | CPF:07453906415, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4780134H6, Coradini, Lisabete, CPF:43751199004, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4785895Z8, Sandroni, Carlos, CPF:70228175704, http://lattes.cnpq.br/2096219243191159, Pereira, Edmundo Mendes, CPF:00563466707, http://lattes.cnpq.br/6628113763709058, Assun??o, Luiz Carvalho de |
Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Antropologia Social, UFRN, BR, Antropologia Social |
Source Sets | IBICT Brazilian ETDs |
Language | Portuguese |
Detected Language | Portuguese |
Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
Format | application/pdf |
Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
Rights | info:eu-repo/semantics/openAccess |
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