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Maxwell Anderson : Preparation, Methods, and Views in Musical Comedy

Even before he became a playwright, Maxwell Anderson developed a belief in the right of the individual to determine his own fate, and a hatred for anything that hampered that right. He never faltered in that belief. Thus, most of his plays have themes concerned with the evils of the abuse of governmental power and the social injustice that is the result of such abuse. It is the purpose of this thesis to study those beliefs as they were developed throughout severl preceding plays and as they were finally expressed in both Anderson's musicals, Knickerbocker Holiday (1938) and Lost in the Stars (1949).

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc131053
Date01 1900
CreatorsGarlington, Donia
ContributorsHamilton, Stanley K., Ford, Howard Lee
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatiii, 103 leaves, Text
RightsPublic, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Garlington, Donia

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