This thesis mainly deals with the matters of transferring the experience with puppet theatre or theatre in general into the motion picture environment. Despite the fact that this is an actor's graduate work, it is trying to adopt all the main differences, and vice versa all the conformities between film and theatre from the author's and creator's point of view.
This work is divided into three parts. The first part focuses on comparing these two media (theatre and film) and tries to determine the terminology comprehensible by both, the theatre and the film community. It discusses some of the possible variations of film animation, always in relation to certain one, which is central to this work, which is real-time performed anti-illusive puppetry.
The second part describes the process of creating two specific events in the film directed by Tereza Volánková; authors own work, where the puppets are lead in this way.
The third part is a mere outline of a possible principle reversal, where the author uses some film practices in the theatre environment.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:202907 |
| Date | January 2015 |
| Creators | Volánková, Tereza |
| Contributors | BEČKA, Marek, KUBÍČEK, Jiří |
| Publisher | Akademie múzických umění v Praze.Divadelní fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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