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Virtuosa di Musica di Camera: A Performance Edition of Sonata in F Major, Op. 1, No. 2 by Anna Bon di Venezia

The flute music of Anna Bon di Venezia (1738–ca. 1767) belongs to the group of long-overlooked compositions by women composers throughout history worthy of rediscovery. This dissertation includes a discussion of Bon's life and music, as well as the artistic, historical, and theoretical significance of her compositions. It also presents biographical research on Bon, including Michaela Krucsay's dissertation, which provides new evidence of Bon's birth date, which had been uncertain up until 2015. Bon's Sonata in F Major for flute and basso continuo is analyzed to provide a more comprehensive understanding of the work. A table is provided explaining specific ornaments and articulations added to the performance edition. In addition, this dissertation includes analyses of sonatas by Carl Philipp Emanuel Bach (1714–1788) and Johann Joachim Quantz (1697–1773) to contextualize Bon's sonatas within the standard flute repertoire. This dissertation expands the music scholarship on this distinguished composer and performer and provides a historically informed performance edition of the Sonata in F Major, op. 1, no. 2, for flute and piano, to serve as a model to modern flutists for historically informed performances of Bon's entire opus 1.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc1944208
Date05 1900
CreatorsAlvarado Piña, Maria Gabriela
ContributorsClardy, Mary Karen, McKnight, Mark, Bennight, Brad
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
FormatText
RightsPublic, Alvarado Pina, Maria Gabriela, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved.

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