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Ariettes OubilĂ©es and FĂȘtes Galantes, Series I and II by Claude Debussy

Not only did Debussy find the Symbolist movement a source of inspiration for his artistic aims, he often selected his literary collaborators from them. Pelleas et Melisande, Prelude a l'Apres-midi d'un Faune, Chansons de Bilitis, Trois Pomes de Stephane Mallarme, Fetes Galantes, Ariettes Oubliees, all had Symbolist authors. Moreover, the poetic style of the Proses Lyriques, of which Debussy himself was the author, is in the Symbolist manner.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc699652
Date01 1900
CreatorsPannell, Frankie Franks
ContributorsOttman, Robert W., Ebersole, Joel Eyle
PublisherNorth Texas State College
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formativ, 54 leaves: music, Text
RightsPublic, Pannell, Frankie Franks, Copyright, Copyright is held by the author, unless otherwise noted. All rights

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