In this study I interviewed fourteen professional, First Nations women artists who work
predominantly in the so-called men's style of Northwest Coast art. I conclude that these artists
challenge the rigid dichotomy set forth in the literature between men's and women's art by
successfully working as carvers and designers in the formline style. / Arts, Faculty of / Anthropology, Department of / Graduate
| Identifer | oai:union.ndltd.org:UBC/oai:circle.library.ubc.ca:2429/3570 |
| Date | 05 1900 |
| Creators | Helweg, Priya Anne |
| Source Sets | University of British Columbia |
| Language | English |
| Detected Language | English |
| Type | Text, Thesis/Dissertation |
| Format | 2574117 bytes, application/pdf |
| Rights | For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. |
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