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CHANGE AND CONTINITY OF MOMOTARÔ

This paper examines the major thematic elements, or motifs, that allow the folktale Momotarô (The Peach Boy) 桃太郎to undergo changes in plot and usage as it moves from the oral tradition to nationalist literature. My research traces written motifs from a variety of classical and medieval documents to the emergence of Momotarô during the Muromachi period (1392-1573) 室町時代. I identify and compare these motifs within different versions of the tale to determine its change and continuity up through World War II. The paper groups the various versions of Momotarô chronologically into four time periods, researching the social, political, economic, and artistic histories of each to determine what overarching influences change or maintain plot and other details in the story. At the same time, I identify changes in political and social climate. By connecting this popular folktale with its origins, we gain a greater understanding of Momotarôs importance in Japanese history and culture. While the story has received recent modest attention in Japanese studies due to its usage in World War II propaganda, an exploration of the tales development is lacking. This paper seeks to shine some light on the growth of Momotarô and how it became the most recognized folktale in Japan.

Identiferoai:union.ndltd.org:PITT/oai:PITTETD:etd-12182007-164229
Date04 June 2008
CreatorsPolen, James Scott
ContributorsDr. Richard Smethurst, Dr. Donald M. Goldstein, Dr. Diane Marston Wood
PublisherUniversity of Pittsburgh
Source SetsUniversity of Pittsburgh
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.library.pitt.edu/ETD/available/etd-12182007-164229/
Rightsunrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to University of Pittsburgh or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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