By taking into account various published fragments, concepts and the final 'Volksstuck' this thesis attempts to show how the playwright Odon von Horvath developed the characters of his commercially successful 'Volksstuck' "Tales From The Vienna Woods". Chapter one of this thesis includes a brief biography of Horvath. The second chapter comprises a short history of the 'Volksstuck', Horvaths interpretation of the genre and its implications for his plays as well as a summary of the final version "'Geschichten aus dem Wiener Wald.' Volksstuck in drei Teilen." The thesis further attempts to recreate a genealogy of the dramatic characters Zauberkonig, Alfred, Marianne and Oskar and to give possible reasons for their dramaturgical changes up to the development of the final version. In addition the thesis concerns itself with one example for the development of stage directions. Political as well as religious implications are considered alone and in connection with the characters.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.68124 |
| Date | January 1993 |
| Creators | Mueller, Ruediger H. |
| Contributors | Trudis Goldsmith-Reber (advisor) |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | German |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Department of German) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001397484, proquestno: AAIMM94376, Theses scanned by UMI/ProQuest. |
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