This thesis analyzes the socio-political function of cinema in Yugoslavia during its two most vibrant eras, the 1960s and 1980s. Film in Yugoslavia existed on a materially state centered model yet presented an ideological plurality in its filmic representativeness that offers a richer and more dynamic understanding of the Yugoslav state. This thesis proposes that by looking at Yugoslav film from its inception following world war two until its dissolution in the early 1990s reveals a fascinating ideological trajectory reflected in the evolving contours of the socio- political and economic make-up of Yugoslavia.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:434155 |
| Date | January 2018 |
| Creators | Basanovic, Pavle |
| Contributors | Šístek, František, Žíla, Ondřej |
| Source Sets | Czech ETDs |
| Language | English |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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