This study seeks to examine the history of the ricercare, specifically in the baroque era. In this work, all types of keyboard compositions that utilize imitative counterpoint have been examined. Late baroque fugues have been examined to determine which characteristics of the earlier ricercare remained in general use and which specific compositions contain elements causing them to resemble strongly the parent form.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc798339 |
| Date | 08 1900 |
| Creators | Douglass, Robert S. (Robert Satterfield), 1919- |
| Contributors | Hibberd, Lloyd, Hewitt, Helen, 1900-1977, Ottman, Robert W., Morey, George, 1915-1995 |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vi, 366 leaves : ill., music, Text |
| Rights | Public, Douglass, Robert S. (Robert Satterfield), 1919-, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
| Relation | The Keyboard Ricercare in the Baroque Era: Volume 2, ark:/67531/metadc1038758 |
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