Mainstream contemporary phenomenology understands the phenomenology of movement and dance through ”the lived body” of Merleau-Ponty. This paper rather suggests a phenomenology of movement and dance based on an understanding through ”the danced body” with ability to meta-feeling. It is here argued that we need to use a phenomenology of dance to understand the phenomenon of movement whatsoever. Three dimensions of our bodily dance experience are described: “the body’s centre”, “the danced body” and “the room of the dancer”. A discriminating distinction between eight types of movement experiences is proposed.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:sh-18963 |
| Date | January 2013 |
| Creators | Pilbäck, David |
| Publisher | Södertörns högskola, Institutionen för kultur och lärande |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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