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Previous issue date: 2018-02-27 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This dissertation is the result of an interdisciplinary research in Languages, Media and Art. It is an interpretive analysis of the discourse of the Brazilian film Boi Neon (2016), by Gabriel Mascaro, and aims to develop reflections on the identities of the narrative characters and how their identities may be related to the formations of the contemporary subjects. Following an essayistic and rhizomatic model, the interlaced construction of the chapters from this text and the analysis of the corpus derive from statements collages ? based on the dialogues between authors of several areas of knowledge, such as Albuquerque, Deleuze and Guattari, Xavier, Zurian, and others ? to understand how the discourse of the film is able to (de)construct and (re)organize the multiple identities of its characters, by using descriptions of scenes, readings of images and interpretations of soundtracks. Scenes with potential for discussion and analysis of the identity formation of the characters were selected, trying to comprehend the relationships and social practices that implicate the constitution of the contemporary subject in the cinematographic discourse, as well as the way in which the film disrupts and reiterates social values from the collective imaginary ? especially those which define the Brazilian backlands ?, playing with the expectation of the public. / Esta disserta??o de mestrado ? resultado de uma pesquisa interdisciplinar do Programa de P?s-Gradua??o em Linguagens, M?dia e Arte, da PUC-Campinas. Trata-se da an?lise interpretativa do discurso do filme brasileiro Boi Neon (2016), de Gabriel Mascaro, buscando reflex?es a respeito da forma??o das identidades das personagens da narrativa e de como essas identidades podem estar relacionadas ? forma??o dos sujeitos contempor?neos. Seguindo um modelo ensa?stico e rizom?tico, a constru??o entrela?ada dos cap?tulos do texto e a an?lise do corpus derivam de colagens de enunciados capazes de ? alicer?ados nos di?logos entre/com autores de diversas ?reas do conhecimento, como Albuquerque, Deleuze e Guattari, Xavier, Zurian, entre outros ? entender como o discurso do filme expressa, (des)constr?i e (re)organiza as identidades m?ltiplas de suas personagens, a partir de descri??es de cenas, leituras de imagens e interpreta??es de trilhas sonoras. Foram selecionadas cenas com potencial para a discuss?o e a an?lise da forma??o identit?ria das personagens, tentando compreender as rela??es, os la?os e as pr?ticas sociais que implicam a constitui??o do sujeito contempor?neo no discurso cinematogr?fico, bem como a maneira com que o filme rompe e reitera valores sociais presentes no imagin?rio coletivo ? sobretudo o que marca o sertanejo nordestino brasileiro ?, brincando com a expectativa do p?blico.
| Identifer | oai:union.ndltd.org:IBICT/oai:tede.bibliotecadigital.puc-campinas.edu.br:tede/1104 |
| Date | 27 February 2018 |
| Creators | Carvalho, Rodrigo Souza Fontanini de |
| Contributors | Moraes, Ricardo Gaiotto de, Amarante, Maria de F?tima Silva, Bessa, Karla Adriana Martins |
| Publisher | Pontif?cia Universidade Cat?lica de Campinas, Programa de P?s-Gradua??o em Linguagens, M?dia e Arte, PUC-Campinas, Brasil, CLC ? Centro de Linguagem e Comunica??o |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da PUC_CAMPINAS, instname:Pontifícia Universidade Católica de Campinas, instacron:PUC_CAMP |
| Rights | info:eu-repo/semantics/openAccess |
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