Alberto Nepomuceno (1864-1920) is considered to be the father of the Brazilian art song. With a total of seventy songs, Nepomuceno revolutionized and established a new path to the Brazilian art song. His songs were innovative because they: (1) incorporated folk elements in his songs, (2) introduced Portuguese as a language acceptable in bel canto style and (3) established Brazilian songs in the tradition of the European vanguard. His approach influenced several composers including his young student Heitor Villa-Lobos (1887-1959), one of the most significant Latin American composers. The purpose of this research is to inform singers and teachers about one of Brazil's most significant art song composers, and to provide the necessary tools--Brazilian Portuguese diction guide, IPA and poem translations of the selected songs--for effective and accurate performances and interpretations.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1505176 |
| Date | 05 1900 |
| Creators | Riggs, Rawlianne |
| Contributors | Snider, Jeffrey, Wilson, Carol (Soprano), Morscheck, Stephen |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vi, 131 pages : illustrations, music, Text |
| Coverage | Brazil |
| Rights | Public, Riggs, Rawlianne, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
| Relation | Recital: March 19, 2014, ark:/67531/metadc984002, Recital: March 27, 2015, ark:/67531/metadc1075307, Recital: February 19, 2016, ark:/67531/metadc <not yet digitized> |
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