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Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style

This thesis will analyze why three of Neri di Bicci’s patrons—the Spini family of Florence, a nun of the Bridgettine Order of Florence, and Ser Amideo of Santa Maria degli Ughi—desired to commission an altarpiece of the Assumption of the Virgin in an all’antica style. Neri di Bicci’s background as an artist, existing scholarship, and comparisons of older styles of art will also be discussed.

Identiferoai:union.ndltd.org:GEORGIA/oai:scholarworks.gsu.edu:art_design_theses-1170
Date12 August 2014
CreatorsSamples, Kara
PublisherScholarWorks @ Georgia State University
Source SetsGeorgia State University
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceArt and Design Theses

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