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Previous issue date: 2017-12-05 / Este Trabalho apresenta uma pesquisa art?stica sobre a interpreta??o de O Caldeir?o dos esquecidos para violino s? de Danilo Guanais, em estilo Armorial; investiga, tamb?m, a intera??o compositor-int?rprete durante sua composi??o e prepara??o para a performance. Para isto, foram utilizadas ferramentas metodol?gicas como revis?o bibliogr?fica e fonogr?fica, reuni?es, entrevista e an?lise da partitura final, visando ? performance. Desta Pesquisa resultaram: uma proposta interpretativa constru?da em contato direto com o compositor - que pode servir como primeiro par?metro para o in?cio de uma tradi??o de interpreta??o; uma edi??o da partitura com dedilhados e arcadas; e a estreia da Pe?a com registro audiovisual. A an?lise dos dados sobre a intera??o compositor-int?rprete permitiu concluir que o processo colaborativo foi ben?fico para ambas as partes: por um lado, houve melhoria na escrita da Obra, que se tornou mais idiom?tica; por outro, o contato direto com o compositor trouxe importante contribui??o ? constru??o da proposta interpretativa. A revis?o bibliogr?fica, a an?lise da partitura e a entrevista possibilitaram estabelecer que Danilo Guanais utiliza a est?tica Armorial de maneira pessoal, aliando-a a t?cnicas contempor?neas de composi??o, com frequente combina??o de modalismo, tonalismo e serialismo. / This work presents an artistic research on the interpretation of O Caldeir?o dos esquecidos for solo violin by Danilo Guanais, written in northeastern brazilian musical style, called Armorial. It also reports on the collaboration between performer and composer during the piece's composition and it?s preparation for performance. Methodological tools as bibliographic and phonographic review, face-to-face meetings, interview and score analysis were used. From this research resulted: an interpretation of the piece, developed in direct contact with the composer - that may become a first parameter, beginning an interpretation tradition; the score edition with bowings and fingerings; the premi?re and a record of the piece. Data analysis on the composer-performer collaboration concluded that the collaborative process was beneficial for both parties: on one hand, the composition was improved and became more idiomatic; on the other hand, the direct contact with the composer contributed substantially to the construction of the piece?s interpretation. Bibliographic review, score analysis, and interview showed that Danilo Guanais uses Armorial aesthetics in a personal way, combining it with contemporary techniques of composition. Modalism, tonalism and serialism combination is often used.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/24899 |
| Date | 05 December 2017 |
| Creators | Holschuh, Mariana de Moraes |
| Contributors | 58504800482, Presgrave, F?bio Soren, 07453136717, Noda, Luciana, 16306884874, Queiroz, Rucker Bezerra de |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM M?SICA, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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