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Caro Carapetyan: His Choral Beliefs and Practices

The purpose of this study was to identify and describe the convictions about choral conducting is held and applied by Caro Carapetyan which may have contributed to his superior choral work. The primary source of information was a series of personal interviews with Carapetyan. The report was organized into five sections. The first part supplied background material. Subjects covered in the report include philosophy, the relationship between conductor and singers the conductor's knowledge of music history and literature, rehearsal planning, conducting technique the selection of singers, choral tone, blend and balance, diction, intonation, rhythm, and dynamics. Each of the chapters in Parts II, III and IV includes a summary and some comparisons with other choral music sources. The fifth part is a summary of the findings, conclusions, and recommendations. Recommendations for choral conductors and future researchers are included.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc663785
Date08 1900
CreatorsKing, Debbie Simpkin
ContributorsMcGuire, David C., Gibbons, Henry
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formativ, 204 leaves: ill., Text
RightsPublic, King, Debbie Simpkin, Copyright, Copyright is held by the author, unless otherwise noted. All rights

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