Among the numerous eighteenth-century composers of merit whose music remains
virtually unknown and unavailable in modern editions, and whose names are absent from
the many items of Baroque literature to date, is Andrea Zani (b. Casalmaggiore, 1696-d.
Casalmaggiore, 1757). Yet his skill saw him ranked as a virtuoso, and his compositions
were published in Vienna, Paris and Amsterdam, as well as his native Italy. Despite the
fact that most of his output is extant and accessible either in manuscripts or early prints in
the archives of Europe, the United States of America and the United Kingdom, no
thorough study of these works has been made. The scant biographical information
available on Zani lies in a succession of brief and lamentably incomplete accounts,
traceable to one early nineteenth-century writing. A comprehensive study of Andrea Zani
and his music has yet to be made.
The objectives (and thus the structure) of this dissertation are to present a definitive
performing edition of Zani’s entire output and to compile a biographical account that will
substantially augment and correct much of the biographical information that is available.
These objectives are interdependent. A biography may be illuminated by information
found in music sources – dates of compositions or dates and places of publications,
names of dedicatees (and even of specific occasions) are all indicators of avenues of
research, and as this is undertaken, isolated facts gradually turn into an expanding and yet
increasingly tightly-knit network of detail. The music itself may be illuminated by
confirming its location within the lifetime of the composer and a growing understanding
of the various circumstances surrounding the years in which it was written. When this is
allied with a knowledge of the dissemination of his compositions, one is led toward a
contemporary estimation of the composer and a measure of the sphere of his influence.
One further element of this research is a thematic catalogue of Zani’s works. As a
comprehensive description of his output, it provides a stand-alone reference volume for
future studies of the man and/or his compositions. More widely, it will assist with the
solution of problems of misattributions of compositions among Zani's contemporaries.
| Identifer | oai:union.ndltd.org:canterbury.ac.nz/oai:ir.canterbury.ac.nz:10092/5442 |
| Date | January 2010 |
| Creators | Ward, Jillian Ruth |
| Publisher | University of Canterbury. Centre for Fine Arts, Music and Theatre |
| Source Sets | University of Canterbury |
| Language | English |
| Detected Language | English |
| Type | Electronic thesis or dissertation, Text |
| Rights | Copyright Jillian Ruth Ward, http://library.canterbury.ac.nz/thesis/etheses_copyright.shtml |
| Relation | NZCU |
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