Fantasie was firstly comprised of free improvisatory type and
multi-section structure. In the 19th century, the formal structure of sonata and character pieces were combined into the Fantasie. In the process of its evolution, the introduction, slow mid-section, and improvisatory elements which Fantasie includes always play important roles. However, Fantasie varied with different characteristics of individual composers.
This paper focuses on three works titled ¡§Fantasy¡¨ from Chopin. It includes five chapters: the first chapter is the introduction. The second chapter is about the historical development of Fantasie in keyboard works. In the third chapter to the fifth chapter Chopin¡¦s Fantaisie-Impromptu Op. 66, Fantasie Op. 49, and Polonaise-Fantaisie Op. 61, and fantastic features of Chopin will be discussed in details.
| Identifer | oai:union.ndltd.org:NSYSU/oai:NSYSU:etd-0626103-111122 |
| Date | 26 June 2003 |
| Creators | Yang, Hsin-Yi |
| Contributors | Yea-shiuh Lin, Mei-wen Lee, Tzyy-sheng Lee |
| Publisher | NSYSU |
| Source Sets | NSYSU Electronic Thesis and Dissertation Archive |
| Language | Cholon |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0626103-111122 |
| Rights | unrestricted, Copyright information available at source archive |
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