The analysis of computer music presents new challenges to the field of music theory. This study examines the fixed media composition Phoné by John Chowning from its aesthetic perspective, compositional theory and computer sound synthesis techniques. Fast Fourier Transform analyses are used to create spectrograms. The findings from the spectrograms are juxtaposed with compositional philosophies of John Chowning, Jean-Claude Risset, Pierre Schaeffer and Arnold Schoenberg and the techniques are represented via PureData patches.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc28445 |
| Date | 05 1900 |
| Creators | Krämer, Reiner |
| Contributors | Schwarz, David, 1952-, May, Andrew, 1968-, Dworak, Paul E., 1951- |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Copyright, Krämer, Reiner, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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