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A no??o de acontecimento na experi?ncia do DOCTV RN IV Sangue do Barro

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Previous issue date: 2012-10-04 / This dissertation presents a reflection upon the notion of event, inspired by the
contributions of Edgar Morin to the thinking of the present. The research analysis this
notion particularly from the experience of the documentary titled Sangue do Barro, which
was the winner of the 4th edition of DOCTV, in the federal state of Rio Grande do Norte in
2008. The study focuses on how facts from daily life can be approached by the
documentary making process, and how in this process the questioning of facts leads to the
questioning of social realities. In this perspective, through the illustrative case of Sangue
do Barro, the research develops the hypothesis of how in the documentary process, which
aims at revealing a particular history, is the revealing of the particular able to reflect the
universal. The dissertation thus assumes this situation as precisely the configuration of the
sociology of present, proposed by Edgar Morin. Furthermore, along with the theoretical
premises of the sociology of the present, the research performs a brief historical analysis of
documentary practices, Brazilian audiovisual public policies, and it also discusses the
technical contributions of several contemporary film makers and contemporary thinkers,
such as Jean Rouch, Bill Nichols, Ismail Xavier, Consuelo Lins, Gilles Lipovetsky, Jean
Serroy, Michel Foucault, Alfredo Pena-Vega, Nicole Lapierre, etc / A presente disserta??o de mestrado consiste na reflex?o sobre a no??o de acontecimento, ?
luz do pensamento de Edgar Morin, particularmente refletida na experi?ncia do
document?rio Sangue do Barro, vencedor da quarta edi??o do DOCTV, no Rio Grande do
Norte, em 2008. Neste sentido, a pesquisa extrai do fazer documental o foco nas quest?es
cotidianas, de onde se parte dos fatos para se questionar as realidades sociais. Assim, no
exemplo de Sangue do Barro, a disserta??o analisa a hip?tese de como o procedimento
documental, com foco em revelar uma hist?ria particular, pode de fato fazer com esse
particular reflita o universal, o que finda por configurar-se em uma sociologia do presente,
conforme proposta por Edgar Morin. A presente pesquisa ? complementada ainda por uma
breve an?lise contextual do cinema verdade, das pol?ticas p?blicas de audiovisual e difus?o
do document?rio no Brasil. Al?m dos pressupostos te?ricos da sociologia do presente de
Edgar Morin, s?o abordadas ainda as contribui??es te?ricas para a compreens?o do g?nero
document?rio de Jean Rouch, Bill Nichols, Ismail Xavier, Consuelo Lins, Gilles
Lipovetsky, Jean Serroy, Michel Foucault, Alfredo Pena-Vega, Nicole Lapierre, entre
outros

Identiferoai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/13667
Date04 October 2012
CreatorsCardoso, Ana T?zia Patr?cio de Melo
ContributorsCPF:59670886449, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4703941Y0, Coradini, Lisabete, CPF:43751199004, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4785895Z8, Oliveira, Josineide Silveira de, CPF:28230264449, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4796363D5, Dantas, Alexsandro Galeno Ara?jo
PublisherUniversidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Ci?ncias Sociais, UFRN, BR, Desenvolvimento Regional; Cultura e Representa??es
Source SetsIBICT Brazilian ETDs
LanguagePortuguese
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis
Formatapplication/pdf
Sourcereponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN
Rightsinfo:eu-repo/semantics/openAccess

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