Made available in DSpace on 2014-12-17T15:08:33Z (GMT). No. of bitstreams: 1
LadyDSO_DISSERT.pdf: 3156095 bytes, checksum: 3909f105ca01486d248b2e6d3aa51631 (MD5)
Previous issue date: 2012-02-15 / In itinerant film projects made in Brazil, the unique experience of watching movies on the big
screen is held in open spaces, through the establishment of a contemporary ritual, under which
the presence of spectators is primordial. Considering this dynamic of the performance of
itinerant cinema, the main objective of this research is to analyze the process of reception of
the spectators of the sessions of Cine Sesi Cultural, conducted by the Social Service Industry -
Sesi, in Rio Grande do Norte state. The body of research was composed by the audience of
the movie sessions of the edition developed in 2010. Analyses were made from the look on
the specific audience of open sessions of this cinema project throughout a case study.
Theoretical authors of Latin American as Jesus Martin-Barbero, Guillermo Orozco, Eliseo
Veron and Nestor Garcia Canclini, which have important theoretical basis for the analysis of
research on the cinematographic reception of the spectators, were taken as a basis. In this
discussion are associated with contributions from Brazilian authors as Roseli Paulino,
Fernando Mascarello, Mauro Wilton Souza, Nilda Jacks and Carolina Escostesguy. Besides
the reception study, the research focuses on aspects that relate to and explain the
circumstances in which itinerant cinema emerges as an alternative exhibition, for example, the
context of the exhibition of films in the country, lack of public policies in the audiovisual
sector, and mainly the closing of movie theaters in the inner cities of the country and the
consequent migration of these rooms to the malls. Seeking to reduce the existing gap in the
studies of the reception of spectators to the cinema in the country, this research presents a
deeper analysis of the reception of the public of the itinerant cinema as a contribution to an
important database for the diagnosis of projects such as the Cine Sesi Cultural / Nos projetos de cinema itinerante realizados no pa?s, a experi?ncia ?nica de assistir a filmes
na grande tela ? realizada em espa?os ao ar livre, com o estabelecimento de um ritual
contempor?neo, em que a presen?a dos espectadores ? fundamental. Considerando esta
din?mica de realiza??o do cinema itinerante, o objetivo principal desta pesquisa ? analisar o
processo de recep??o dos espectadores das sess?es de cinema do projeto Cine Sesi Cultural,
realizado pelo Servi?o Social da Ind?stria SESI, no Rio Grande do Norte. O corpus da
pesquisa foi composto pelo p?blico das sess?es de cinema do projeto na edi??o desenvolvida
no ano de 2010. As an?lises foram feitas a partir do olhar sobre o p?blico das sess?es abertas
de filmes desse projeto atrav?s de um estudo de caso. O referencial te?rico consta de autores
latino-americanos como J?sus Mart?n-Barbero, Guillermo Orozco, Eliseo Veron e Nestor
Garc?a Canclini, que apresentam bases te?ricas importantes para as an?lises da pesquisa sobre
a recep??o cinematogr?fica dos espectadores de cinema. Nesta discuss?o, est?o associadas
tamb?m contribui??es de autores brasileiros como Roseli Paulino, Fernando Mascarello,
Mauro Wilton Souza, Nilda Jacks e Carolina Escostesguy. Al?m do estudo de recep??o, h?
debru?amento sobre aspectos que se relacionam com e explicitam as circunst?ncias em que o
cinema itinerante surge como alternativa de exibi??o, como, por exemplo, o contexto da
exibi??o de filmes no pa?s; a escassez de pol?ticas p?blicas no setor audiovisual; e,
principalmente, o fechamento das salas de exibi??o de filmes nas cidades do interior do pa?s e
a consequente migra??o dessas salas para os shopping centers. No intuito de diminuir a lacuna
existente nos estudos sobre a recep??o de cinema no pa?s, esta pesquisa apresenta uma an?lise
mais aprofundada da recep??o do p?blico do cinema itinerante com a perspectiva de
contribuir para uma base de dados importante para um diagn?stico de projetos como o Cine
Sesi Cultural
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/16411 |
| Date | 15 February 2012 |
| Creators | Oliveira, Lady Dayana Silva de |
| Contributors | CPF:45994986453, http://lattes.cnpq.br/5114110813711387, Santana, Gilmar, CPF:05452345817, http://lattes.cnpq.br/2957801541347646, Silva, Josimey Costa da, CPF:29703107400, http://lattes.cnpq.br/7619869688485452, Reis Filho, Osmar Gon?alves dos, CPF:21445556804, http://lattes.cnpq.br/1880465509972947, Costa, Maria Helena Braga e Vaz da |
| Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Estudos da M?dia, UFRN, BR, Comunica??o midi?tica: pr?ticas sociais e produ??o de sentido |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0017 seconds