The dissertation is trying to form basic rules for interpretational possibilities of an ancient chorus in the process of the Czech theatre based on the detailed analysis of chosen productions in Sophocles tragedy Oidipus Tyrannus from the end of 19th century to the present day. The analysis follows the transformations of the chorus from the original vision of the old men that prevailed in the first half of the 20th century over the image of ancient people common in the fifties of the last century to metaphorical transformation of the chorus brought up by some stage conceptions in the beginning of 21st century.
Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:305673 |
Date | January 2012 |
Creators | Mrázek, Vít |
Contributors | Sarkissian, Alena, Pšenička, Martin |
Source Sets | Czech ETDs |
Language | Czech |
Detected Language | English |
Type | info:eu-repo/semantics/masterThesis |
Rights | info:eu-repo/semantics/restrictedAccess |
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