In the world of chamber music, programmatic suites are more rarely composed and consequently more rarely presented in recital than other musical forms. Perhaps partially for this reason, George Enescu's Impressions d'enfance for violin and piano, his last chamber piece written in the tumultuous year of 1940, has been overlooked for a long time; even the composer himself did not make a recording of this seldom performed piece. This dissertation examines Impressions d'enface in order to explore the relationship between the underlying Romanian folk rhythmic and melodic patterns, to provide an analysis, as well as to serve as a performance guide to assist performers in surmounting the technical challenges and thus create a more effective ensemble. I hope this dissertation will encourage more duos to experiencing the joy of George Enescu's richly fulfilling Impressions d'enfance for themselves.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1752350 |
| Date | 12 1900 |
| Creators | Huang, Chenshayang |
| Contributors | Harlos, Steven, 1953-, Puccinelli, Elvia L., Beckman, Bradley, Bakulina, Olga Ellen |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vi, 38 pages : music, Text |
| Rights | Public, Huang, Chenshayang, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
| Relation | Recital: March 22, 2017, not yet digitized, Recital: March 22, 2018, not yet digitized, Recital: November 19, 2018, not yet digitized |
Page generated in 0.0018 seconds