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Timbre and tintinnabulation in the music of Arvo Pärt.

Wong Hoi Sze Susanna. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2001. / Includes bibliographical references (leaves 55-59). / Abstracts in English and Chinese. / Introduction --- p.1 / Chapter Chapter One. --- Historical Perspective / Political Cultural and Background of Estonia --- p.6 / Arvo Part: A Biographical Sketch --- p.10 / Stylistic Changes / Early Tonal Works --- p.14 / Part's Serial Technique --- p.16 / Chapter Chapter Two. --- Tintinnabuli Style and Its Timbre / The Inert Period --- p.18 / The Influence of Early Music on Psrt --- p.20 / The Principle of the Tintinnabuli Method --- p.22 / The Importance of Bells to s Tintinnabulation --- p.27 / Chapter Chapter Three. --- Analyses of Tintinnabuli Compositions / Fur Alina --- p.30 / Cantus in Memory of Benjamin Britten --- p.38 / De Profundis --- p.45 / Conclusion --- p.53 / Bibliography --- p.55

Identiferoai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_323489
Date January 2001
ContributorsWong, Hoi Sze Susanna., Chinese University of Hong Kong Graduate School. Division of Music.
Source SetsThe Chinese University of Hong Kong
LanguageEnglish, Chinese
Detected LanguageEnglish
TypeText, bibliography
Formatprint, v, 59 leaves : music ; 30 cm.
RightsUse of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/)

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