In this study I interviewed fourteen professional, First Nations women artists who work
predominantly in the so-called men's style of Northwest Coast art. I conclude that these artists
challenge the rigid dichotomy set forth in the literature between men's and women's art by
successfully working as carvers and designers in the formline style. / Arts, Faculty of / Anthropology, Department of / Graduate
Identifer | oai:union.ndltd.org:UBC/oai:circle.library.ubc.ca:2429/3570 |
Date | 05 1900 |
Creators | Helweg, Priya Anne |
Source Sets | University of British Columbia |
Language | English |
Detected Language | English |
Type | Text, Thesis/Dissertation |
Format | 2574117 bytes, application/pdf |
Rights | For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. |
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