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Sound, Technology, and Interpretation in Subcultures of Heavy Music Production

This dissertation documents and theorizes cases of 'heavy' music production in terms of their unique technological dispositions. The project puts media and cultural studies into conversation with constructivist approaches to technology by looking at the material practices behind such styles as Punk, Hardcore, Metal, and Industrial. These genres have traditionally been studied as reception subcultures but have yet to be systematically treated as subcultures of production. I believe that this is a key area of study in the digital era as the lines between producers and consumers, artists and audiences, become hazier. In effect, above and beyond exploring these genres and subcultures, the aim is to conceive a mode of thinking appropriate to understanding aesthetic judgment vis-à-vis the evolving life of sound in a technologized, mass-mediated culture.

Identiferoai:union.ndltd.org:PITT/oai:PITTETD:etd-04152008-103835
Date16 June 2008
CreatorsReyes, Ian
ContributorsAndrew Weintraub, Henry Krips, Jonathan Sterne, John Poulakos
PublisherUniversity of Pittsburgh
Source SetsUniversity of Pittsburgh
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.library.pitt.edu/ETD/available/etd-04152008-103835/
Rightsunrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to University of Pittsburgh or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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