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Southern Bellas: The Construction Of Mestiza Identity in Southern Narratives

This project analyzes representations and self-representations of Mestizas living in areas of the Deep South that lack a significant Latino presence. Incorporating a range of media, I take a comparative approach to Southern cultural narratives and propose a re-reading of these works through an examination of identity formation and cultural negotiation. By centering the Southern Mestiza, this dissertation advances concepts of intersectionality to address the role of region, as well as race and gender, in the representation and experiences of women often overlooked in Southern and U.S. Latino studies.
The Introductory chapter summarizes the theoretical framework for the study, including feminist and postcolonial theories, Southern and Latina/o literary theories, and concepts of mestizaje and tropicalization that are vital to critical understandings of hybrid identities within U.S. cultural narratives.
Chapter One is a comparative analysis of Kate Chopins The Awakening and Margaret A. Grahams Mercy Me. These novels explicate the processes of cultural negotiation for white Southern women defining themselves against Mestiza characters. Chapter Two analyzes constructions of Mestizas in Southern-set drama, film, and television and compares the various strategies of identity formation for white female protagonists in literature and popular culture. Chapter Three explores the role of the Mestiza in Cynthia Shearers transnational and multicultural South. The Celestial Jukebox provides a realistic view of the contemporary South and also critiques the marginalization of Mestizas in hegemonic cultural narratives. Chapter Four analyzes the revolutionary writings of two Southern Mestizas authors who are reclaiming a presence in the South: Lorraine López and Judith Ortiz Cofer. These authors model forms of cultural negotiation in writings that require readers to actively engage in the transformative process. The Conclusion articulates the process of interconnected cultural encounters demonstrated in the primary texts, and concludes by incorporating theories that embrace multiculturalism through personal consciousness-raising and a commitment to de-hierarchized communities.

Identiferoai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-06062012-085909
Date07 June 2012
CreatorsBraun, Wendy Aimee
ContributorsCastro, Elena, Otero, Solimar, Russo, Adelaide, Sluyter, Andrew, Cortazar, Alejandro, Lowe, John
PublisherLSU
Source SetsLouisiana State University
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.lsu.edu/docs/available/etd-06062012-085909/
Rightsunrestricted, I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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