This thesis explores the composition Amorphous, a contemporary piece for string quartet. The composition aims to delve into the fluidity and dynamism of musical form, drawing inspiration from the concept of amorphousness—defined by its lack of a definite shape or structure.
The composition fuses microtonality, traditional tonal references, and experimental timbral techniques to create an extraordinary soundscape. Drawing inspiration from Kaija Saariaho, Joshua Fineberg, and Chaya Czernowin, experiment with an 8-tone microtonal system that coexists with conventional tonal elements. The result is a seamless integration of both tonal worlds, producing unique harmonic textures and melodic lines.
Amorphous is structured in four movements, utilizing the quartet as a single entity.
The compositional techniques include glissandi, harmonics, and unconventional bowing methods, all of which contribute to a rich and varied timbre. These methods enable Amorphous to flow between different states, from smooth, fluid transitions to sharp, fragmented interludes. The final work was performed by MIVOS String Quartet.
| Identifer | oai:union.ndltd.org:bu.edu/oai:open.bu.edu:2144/48901 |
| Date | 29 May 2024 |
| Creators | Erdem, Amaç |
| Contributors | Ianni, Davide, Nez, Ketty |
| Source Sets | Boston University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis/Dissertation |
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