Written within an existentialist mode, Nakamura Fuminori’s early fictional works lend themselves to be read as therapeutic technologies reaching out to Japanese youth whose lives are marked by anxiety, isolation, and precariousness. Because English-language scholarship on Nakamura is lacking, this thesis analyzes two of his novels – Child of Dirt and Evil and the Mask – in order to introduce how Nakamura understands the human, how his texts function formally as therapeutic technologies, and how, in the final analysis, they exhibit a nascent sexism that borders on misogyny.
| Identifer | oai:union.ndltd.org:uoregon.edu/oai:scholarsbank.uoregon.edu:1794/19674 |
| Date | 23 February 2016 |
| Creators | Murnion, Stephen |
| Contributors | Freedman, Alisa |
| Publisher | University of Oregon |
| Source Sets | University of Oregon |
| Language | en_US |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Rights | Creative Commons BY-NC-ND 4.0-US |
Page generated in 0.0022 seconds