This article examines the analytical and political potentials of creative methods for peace research. Specifically, the article argues that creative methods can textile, i.e. render material and irregularly textured, (research on) post-conflict politics. Grounded in a collaborative research project with former combatants in Colombia, the article takes this project’s methods – narrative practice, textile-making, and a travelling exhibition – as examples to demonstrate how creative methods’ element of making contributes to the development of post-conflict subjectivities and relationships. Casting the data generated by creative methods as crafted stories, the article also shows how in these stories, semantic meaning becomes entangled with material traces of emotional, affective, and embodied experiences of violence and its aftermath, effecting a shift in the post-conflict distribution of the sensible. By exploring creative methods’ capacity for textiling peace (research), the article contributes to research on creativity, the arts, and peace and on the post-conflict trajectories of former combatants.
| Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:88366 |
| Date | 02 February 2024 |
| Creators | Andrä, Christine |
| Publisher | Sage |
| Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
| Language | English |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, doc-type:article, info:eu-repo/semantics/article, doc-type:Text |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | 0305-8298, 1477-9021, 10.1177/03058298211063510, info:eu-repo/grantAgreement/UK Research and Innovation/AHRC/AH/R01373X/1//(Un)Stitching the Subjects of Colombia's Reconciliation Process |
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