Every so often, education is marked by critical events that invoke profound changes in both teachers and students. This study proposes that the “Boscars” -Brockton Oscars- a local presentation of student film and dance is a critical event for those involved. In contrast to conventional routine processes and accumulation of learning, these events represent a flashpoint in our educational lives. Critical events pertain to deep personal meaning and agency. This research investigates the Boscars. This retrospective study is one of interactive ethnography which has strong affinity with symbolic interactionism using a range of qualitative techniques on an event in the recent past. The work was collaborative. Teachers, pupils and other critical agents worked with the researcher to reconstruct and analyse the event with the general purpose of informing and improving local educational practice. It is a celebratory account focused on expressive outcomes, drawing in large measure on teacher and pupil articulations. Respondent validation was important within the context of other tests of validity. One of these tests is the ability of the research to strengthen the participants in their work and to influence other practitioners – in other words for the research to share the criticality of the event. These criteria apply to the extent to which the account facilitates the drawing of inferences that may have application in other contexts or situations. For the student and teacher authors in this research it is an exercise in writing historical memory.
| Identifer | oai:union.ndltd.org:ADTP/275802 |
| Date | January 2009 |
| Creators | Murrill, Wayne |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
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