This paper explores the relationality between Modernism and Postmodernism as well as between literature and theory by examining the works of two writers: master novelist William Faulkner, and high priest of Postmodernism, Jean Baudrillard. Specifically, this paper examines Faulkner's eleventh novel—the oft-neglected If I Forget Thee, Jerusalem—as a proto-postmodern text which, when examined by the light of Baudrillard's theory of simulacra and simulations, informs the transition from Modernism to Postmodernism.
This paper treats each author's work as a lens through which to view the other. The result is both a re-vision of Faulkner's social philosophy and a re-examination of the epistemic break that separates Faulkner's philosophy from that of Baudrillard. / Master of Arts
| Identifer | oai:union.ndltd.org:VTETD/oai:vtechworks.lib.vt.edu:10919/31763 |
| Date | 27 April 1999 |
| Creators | Germana, Michael Joseph |
| Contributors | English, Hausman, Bernice L., Hatfield, Leonard L., Kiebuzinska, Christine |
| Publisher | Virginia Tech |
| Source Sets | Virginia Tech Theses and Dissertation |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | application/pdf |
| Rights | In Copyright, http://rightsstatements.org/vocab/InC/1.0/ |
| Relation | Germana.pdf |
Page generated in 0.0021 seconds