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Antón Arrufat’s Los Siete Contra Tebas: Political Allegory and Anthropological Concepts As Vehicles to Portray Theatrical and Social Conflict

This thesis (i) presents a critical analysis of the political allegory and dramatic elements employed by Antón Arrufat in Los siete contra Tebas in order to comment upon the conflict in Cuban society during and immediately after the Cuban revolution; and (ii) further analyzes that conflict using an anthropological approach in order to establish partial reintegration as an additional final phase in the rites of passage journey.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc699886
Date08 1900
CreatorsGosch, Elizabeth Anna
ContributorsMarrero, María Teresa, Manickam, Samuel, Avilés-Diz, Jorge
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatiii, 83 pages, Text
CoverageCuba
RightsPublic, Gosch, Elizabeth Anna, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved.

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