Chow Pui-ha. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 213-219). / Abstracts in English and Chinese. / Prologue --- p.1-3 / Chapter Ch. 1 --- "Theorizing Space, Body,ower andlay" --- p.4 / Chapter I. --- The Interrelations of Space and Body --- p.5-13 / Chapter II. --- Theower oflay and Leisure --- p.13-19 / Chapter III. --- Leisure in Modernity --- p.19-21 / Chapter IV. --- Researchroblematic: Leisure andowerlay --- p.21-22 / Chapter Ch. 2 --- Operationalisation --- p.23 / Chapter I. --- The Site of Study: Hong Kong Cultural Centre --- p.24-30 / Chapter II. --- Institutionalower at Cultural Centre --- p.30-33 / Chapter III --- Theoretical Framework --- p.34-38 / Chapter IV --- Research Questions --- p.39-41 / Chapter V. --- Methodology --- p.41-46 / Chapter VI. --- Research Implications --- p.46-48 / Chapter Ch. 3 --- hallocratic Bodyspace --- p.49 / Chapter I. --- The Representational Spaces: Aublic Toilet or a Culturalalace? --- p.50-61 / Chapter II. --- Spatialractices:erforming Arts/erformative Culture --- p.62-70 / Chapter III --- Performative Leisure and Disenchanted body --- p.71-78 / Chapter IV. --- olitical Economy of the Body andolitical Economy of Music --- p.78-80 / Chapter V. --- Enchanted Body in the Center?. --- p.81 -83 / Chapter VI. --- The Representation of Space: Elitist Discourse --- p.84-87 / Chapter VII. --- Thehallocartic Bodyspace of the Elitist Culturalalace --- p.87-91 / Chapter CH. 4 --- Embryonic Bodyspace --- p.92 / Chapter I. --- Representational Space: the Garden and the Open Theatre --- p.93-97 / Chapter II. --- Spatialractices: Compositionalerformances --- p.98-109 / Chapter III. --- Re-created Body and Leisure Societies --- p.109-121 / Chapter IV. --- Embryonic Bodyspace --- p.122-126 / Chapter V. --- The Representation of Space: the Repression of Revolution --- p.126-129 / Chapter VI. --- Institutionalised Embryonic Bodyspace --- p.129-136 / Chapter CH. 5 --- Contested Bodyspace --- p.137 / Chapter I. --- Sectioned Lifeworlds --- p.138-141 / Chapter II. --- Civility as the Logic of Centrality --- p.141-149 / Chapter III. --- Dialectic of Order and Disorder and the Logic of Civility --- p.149-153 / Chapter IV. --- ower atlay --- p.153-155 / Chapter CH. 6 --- Body-City and City Spectacle --- p.156 / Chapter I. --- The Logic of Civility and City Imaginary --- p.157-159 / Chapter II. --- Spectacularization of City --- p.159-162 / Chapter III. --- Event Capital and Hong Kong Identity --- p.163-173 / Chapter IV. --- Mainland Tourists as the City Spectacle of Hong Kong --- p.173-181 / Chapter V. --- "City spectacle, Spatial Order andower Negotiation" --- p.181-184 / Chapter CH. 7 --- Conclusion:olitics oflay on Body-City --- p.185 / Chapter I. --- lay as Tactic --- p.186-187 / Chapter II. --- hallocratic and Embryonic Bodyspaces --- p.188-190 / Chapter III. --- Leisure Relations --- p.190-191 / Chapter IV. --- Creative City and City Citizenshi --- p.191 -200 / Chapter VI. --- lay as Lifeolitics --- p.200-207 / Chapter VII. --- Conclusion --- p.207-208 / Appendix 1: Renowned artists and groupsresented in HK Cultural Centre --- p.209-210 / Appendix 2: The Meaning of the Eighteen Buildings Presented in a Symphony of Lights --- p.211-212 / Bibliography --- p.213-219
| Identifer | oai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_324747 |
| Date | January 2004 |
| Contributors | Zhou, Peixia., Chinese University of Hong Kong Graduate School. Division of Communication. |
| Source Sets | The Chinese University of Hong Kong |
| Language | English, Chinese |
| Detected Language | English |
| Type | Text, bibliography |
| Format | print, v, 219 leaves : ill. ; 30 cm. |
| Rights | Use of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/) |
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