This dissertation critically analyses New Zealand’s National Museum Te Papa Tongarewa. Since it opened in 1998, Te Papa, arguably the world’s foremost exponent of the ‘new museology’, has been popularly and critically supported for its innovations in the areas of popular accessibility, bicultural history, and Maori-government management arrangements. As the first in-depth study of Te Papa, I examine and problematise these claims to exceptionality. In producing an analysis that locates the museum within cultural, political, economic and museological contexts, I examine how the museum’s particular institutional program develop, and point to limitations in its policy and practice.
| Identifer | oai:union.ndltd.org:ADTP/245765 |
| Date | January 2003 |
| Creators | Williams, Paul Harvey |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
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