This document focuses on background and performance practice of various musical styles encountered in Paquito D'Rivera's The Cape Cod Files. More specifically, the musical styles examined include: boogie-woogie, Argentine milonga, classical and popular Cuban music, American twelve-bar blues, contemporary atonal music, and Cuban danzón. A brief biography of Paquito D'Rivera is included to establish context of the composer's musical background. Each chapter examines one of the four movements and the musical styles found within that movement. A brief history of each musical style is provided to inform appropriate performance practice decisions.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1505206 |
| Date | 05 1900 |
| Creators | Willsie, Lucas |
| Contributors | Cole, Kimberly, Henry, Warren, Paglialonga, Phillip O. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vii, 41 pages : music, Text |
| Coverage | Central America and Caribbean, Argentina, United States |
| Rights | Public, Willsie, Lucas, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
| Relation | Recital: January 29, 2017, ark:/67531/metadc977018, Recital: April 23, 2017, not yet digitized, Recital: April 24, 2016, not yet digitized, Lecture recital: November 18, 2018, not yet digitized |
Page generated in 0.0016 seconds