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David Collings. 2019. Disastrous Subjectivities: Romanticism, Modernity, and the Real. Toronto: University of Toronto Press, 248 pp.

One of the most persistent narratives about the Romantic period is concerned with
the origin of modernity. Several fundamental transformations and events – the
American Declaration of Independence, the French Revolution, the Industrial
Revolution, the functional differentiation of society, the development of the modern
scientific system, and the gradual secularisation of Western society – characterise
the Romantic period as an age of transition towards something fundamentally
new. Particularly the crisis of religion creates a sense that the concept of
history is no longer experienced in terms of eschatology but rather as an immaimmanent
trajectory without beginning or end.

Identiferoai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:91678
Date28 May 2024
CreatorsHaekel, Ralf
Publisherde Gruyter
Source SetsHochschulschriftenserver (HSSS) der SLUB Dresden
LanguageEnglish
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, doc-type:article, info:eu-repo/semantics/article, doc-type:Text
Rightsinfo:eu-repo/semantics/openAccess
Relation1865-8938, 0340-5222, 10.1515/ang-2021-0032

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