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Dialects in music, an innovative idea: a study of Franz Liszt's symphonic poems.

by Li Chi Man. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1992. / Includes bibliographical references (leaves 134-137). / PREFACE --- p.iii / Chapter Chapter One --- PROLOGUE- THE CLASSICAL AND ROMANTIC STYLES --- p.1 / Chapter Chapter Two --- THE CONCEPT OF DIALECTICS AND TRANSCENDENCE --- p.9 / Chapter Chapter Three --- STUDY OF FRANZ LISZT'S SYMPHONIC POEMS --- p.15 / Les preludes (1848) --- p.18 / Ce qu'on entend sur la montagne (1848-9) --- p.27 / Tasso: lamento e trionfo (1849) --- p.38 / Heroide funebre (1849-50) --- p.47 / Prometheus (1850) --- p.55 / Mazeppa (1851) --- p.63 / Festklange (1853) --- p.71 / Orpheus (1853-4) --- p.79 / Hungaria(1854) --- p.86 / Hunnenschlacht (1857) --- p.95 / Die Ideale (1857) --- p.103 / Hamlet (1858) --- p.112 / Von der Wiege bis zum Grabe (1881-2) --- p.120 / Chapter Chapter Four --- EPILOGUE - SOME OBSERVATIONS --- p.128 / BIBLIOGRAPHY --- p.134

Identiferoai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_318993
Date January 1992
ContributorsLi, Chi Man., Chinese University of Hong Kong Graduate School. Division of Music.
PublisherChinese University of Hong Kong
Source SetsThe Chinese University of Hong Kong
LanguageEnglish
Detected LanguageEnglish
TypeText, bibliography
Formatprint, iv, 137 leaves : music ; 30 cm.
RightsUse of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/)

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