by Li Chi Man. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1992. / Includes bibliographical references (leaves 134-137). / PREFACE --- p.iii / Chapter Chapter One --- PROLOGUE- THE CLASSICAL AND ROMANTIC STYLES --- p.1 / Chapter Chapter Two --- THE CONCEPT OF DIALECTICS AND TRANSCENDENCE --- p.9 / Chapter Chapter Three --- STUDY OF FRANZ LISZT'S SYMPHONIC POEMS --- p.15 / Les preludes (1848) --- p.18 / Ce qu'on entend sur la montagne (1848-9) --- p.27 / Tasso: lamento e trionfo (1849) --- p.38 / Heroide funebre (1849-50) --- p.47 / Prometheus (1850) --- p.55 / Mazeppa (1851) --- p.63 / Festklange (1853) --- p.71 / Orpheus (1853-4) --- p.79 / Hungaria(1854) --- p.86 / Hunnenschlacht (1857) --- p.95 / Die Ideale (1857) --- p.103 / Hamlet (1858) --- p.112 / Von der Wiege bis zum Grabe (1881-2) --- p.120 / Chapter Chapter Four --- EPILOGUE - SOME OBSERVATIONS --- p.128 / BIBLIOGRAPHY --- p.134
Identifer | oai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_318993 |
Date | January 1992 |
Contributors | Li, Chi Man., Chinese University of Hong Kong Graduate School. Division of Music. |
Publisher | Chinese University of Hong Kong |
Source Sets | The Chinese University of Hong Kong |
Language | English |
Detected Language | English |
Type | Text, bibliography |
Format | print, iv, 137 leaves : music ; 30 cm. |
Rights | Use of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/) |
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