Submitted by Sara Ribeiro (sara.ribeiro@ucb.br) on 2017-05-24T20:45:00Z
No. of bitstreams: 1
DemersonGodinhoMacielDissertaccao2017.pdf: 1361214 bytes, checksum: 9dde9d309aba2d85cfad6259f8f5aa67 (MD5) / Approved for entry into archive by Sara Ribeiro (sara.ribeiro@ucb.br) on 2017-05-24T20:46:07Z (GMT) No. of bitstreams: 1
DemersonGodinhoMacielDissertaccao2017.pdf: 1361214 bytes, checksum: 9dde9d309aba2d85cfad6259f8f5aa67 (MD5) / Made available in DSpace on 2017-05-24T20:46:07Z (GMT). No. of bitstreams: 1
DemersonGodinhoMacielDissertaccao2017.pdf: 1361214 bytes, checksum: 9dde9d309aba2d85cfad6259f8f5aa67 (MD5)
Previous issue date: 2017-04-17 / The curtains are opened exposing a huge show, in which several work spheres come together
to make the presentation happen, and in which different perceptions and dynamics are
established in each one of its ambient - public, stage, ayles and green room -. Although the
exact moment when men started dancing isn???t known, by investigating the dance world in its
different moments and spaces, it is possible to realise that their presence in this bodily
practice is as old as the emergency of the practice in human history. Several are the
affirmatives concerning men who dance, which opens a complex and almost unlimited field
of research and analysis regarding the experiences lived by them. The prejudice, recognized
as a an autonomous scientific field studied by the social psychology, is constant in the daily
routine of these individuals, thus, a holistic view upon this subject must be built, therefore, the
comprehension of the prejudice origins is necessary because only from there it will be
possible to identify the propagation patterns on a social level, the contributing psychocognitive
factors, and elaborate coherent and consistent interventions. With the objective of
comprehending the social representations referring to the male participation in the dance
universe, as well as identifying the stereotypes, prejudices, labels and discrimination reported
by them, in order to amplify and solidify a holistic and informed view about the experience in
this diverse artistic language under the perspective of the men who dance, this study - through
a Quali quantitative Approach, of Applied Nature, Explanatory and Descriptive Features,
based on Social Representation Research - investigates ballet male dancers working in
Brasilia/DF and, by using content analysis and the IRAMUTEQ software, proposes
reflections about the social dynamics lived by these dancers. It was concluded, under the
perspective of ballet male dancers about the social representations surrounding this theme, the
existence of representative words freely associated to them: ???Gay/Sensitive??? are negative
stereotypes frequently attributed to them; in the other hand, ???Artist/Delivery??? even when not
fully understood, present positive significance; and ???Brave/Strong??? can be classified as
neutral stereotypes, however, in the dancers speech, these words are used to refer to
behaviours of confrontation against the discrimination experienced by them. It was also noted
that the main motivation to dance, described by the interviewed ballet male dancers, was the
feeling of freedom that comes from the opportunity of detaching themselves from a reality
often full of prejudices that invalidates the free movimentation and expression and that
promotes behavioural patterns to several groups, turning any deviation in a motive for
disapproval and, consequently, discrimination. / A cortina se abre expondo um grande espet??culo, no qual as diversas esferas de trabalho
confluem para a realiza????o da apresenta????o, e no qual s??o estabelecidas percep????es e
din??micas diferentes em cada um de seus ambientes - plateia, palco, coxias e bastidores -.
Apesar de n??o se saber ao certo quando o homem come??ou a dan??ar, ao investigar o mundo
da dan??a em diferentes momentos e espa??os, percebe-se que o seu aparecimento nessa pr??tica
corporal ?? t??o antigo quanto o surgimento da pr??tica no in??cio da hist??ria da humanidade.
Diversas s??o as afirmativas referentes aos homens que dan??am, sendo esse um assunto
complexo e de propor????es quase ilimitadas por possibilitar diversos campos de an??lise acerca
das experi??ncias por eles vivenciadas. O preconceito, reconhecido como conhecimento
cient??fico aut??nomo estudado pela psicologia social, se faz uma constante no cotidiano desses
indiv??duos, portanto, para que se tenha uma vis??o hol??stica sobre preconceito, ?? necess??rio
que se compreenda sua origem, pois apenas a partir dela pode-se identificar os padr??es de
propaga????o a n??vel social e os aspectos psico-cognitivos contribuintes, e ent??o elaborar
interven????es coerentes e consistentes. Objetivando, ent??o, identificar os estere??tipos,
preconceitos e discrimina????es referentes a participa????o masculina no universo da dan??a, sob a
perspectiva dos bailarinos, no intuito de compreender as representa????es sociais de uma
espec??fica companhia de dan??a profissional de Bras??lia/DF, esse estudo - atrav??s de uma
abordagem qualiquantitativa, de natureza aplicada, car??ter explorat??ria e descritiva, pautada
na pesquisa de representa????o Social, dentro de um estudo de caso - investiga bailarinos
atuantes em Bras??lia/DF e, utilizando-se da an??lise de conte??dos e do software IRAMUTEQ,
prop??e reflex??es acerca da din??mica social por eles vivenciada. Conclui-se, sob a perspectiva
dos homens que dan??am acerca das representa????es sociais em torno desse tema, que pode-se
constatar a exist??ncia de palavras associadas livremente aos bailarinos: ???Viado, Sens??vel??? s??o
estere??tipos mais frequentemente associados negativamente a eles; por outro lado, ???Artista,
Entrega???, mesmo que com entendimentos distorcidos, t??m car??ter mais positivo; e ???Corajoso,
Forte??? podem ser classificadas como neutras, entretanto, no discurso dos bailarinos, serem
implementadas como atitudes de enfrentamento ??s discrimina????es por eles vivenciadas. Notase,
tamb??m, que o principal motivo para dan??ar, relatado pelos bailarinos pesquisados, ?? a
sensa????o de liberdade de poder se desvencilhar de uma realidade muitas vezes marcada por
preconceitos que inviabilizam a livre movimenta????o/express??o e que incitam padr??es de
comportamentos para diversificados grupos, tornando quaisquer desvios motivo para
desaprova????o e, consequentemente, discrimina????o.
| Identifer | oai:union.ndltd.org:IBICT/oai:bdtd.ucb.br:tede/2129 |
| Date | 17 April 2017 |
| Creators | Maciel, Demerson Godinho |
| Contributors | Sampaio, T??nia Mara Vieira |
| Publisher | Universidade Cat??lica de Bras??lia, Programa Strictu Sensu em Educa????o F??sica, UCB, Brasil, Escola de Sa??de e Medicina |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da UCB, instname:Universidade Católica de Brasília, instacron:UCB |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | -1058712265542254166, 500, 500, 600, -6392058866414562720, 5178284805913411594 |
Page generated in 0.003 seconds