Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2006. / As manufacturing jewellery artist, I have found that it is now most often women rather
than men who commission or purchase jewellery. These women often earn substantial
salaries and therefore they are in a position to indulge freely in what traditionally was
considered the frivolous pursuit of beauty. Consequently, women are challenging
expectations that they be submissive and desirable display objects, thereby signifying
their dependence on male economical power. The aim of this research is to encourage
transformation and the development of an individual and independent feminine identity
by exposing the pressures placed on women to construct their identities as prescribed by
patriarchal institutions, dress codes, fashion, science and therefore also gender
stereotyping and gender inequalities. The three chapters of my thesis are titled
Restriction, Change and Liberation?, which is followed by a discussion of my practical
work in the addendum. The thesis and practical work were developed in support of one
another.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:sun/oai:scholar.sun.ac.za:10019.1/1731 |
| Date | 03 1900 |
| Creators | Du Preez, Martelize |
| Contributors | Klopper, Sandra, Cassar, Errico, University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Visual Arts. |
| Publisher | Stellenbosch : University of Stellenbosch |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Rights | University of Stellenbosch |
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