This thesis examines the embodiment and disembodiment of Middle Eastern women in Suheir Hammad’s Breaking Poems (2008) and Solmaz Sharif’s Look (2016) to better understand how war, diasporicity, violence, and intimacy affect the socio-political subjection of Middle Eastern women in the United States. Through analyzing poetry, this thesis posits that Middle Eastern women’s subjection to racism and sexism as diasporic subjects in the United States leads to their disembodiment, resulting in feelings of displacement, loss, and uncertainty regarding their identities, which parallels the disembodiment they experience in the Middle East as a result of war. The Introduction Chapter answers why this thesis focuses on diasporic Middle Eastern women and the poetry of Suheir Hammad and Solmaz Sharif. Chapter One provides a theoretical framework of the major themes discussed throughout the thesis, such as embodiment, disembodiment, precarity, and double consciousness. Chapter Two discusses Suheir Hammad’s Breaking Poems with an emphasis on a hyper-individualized account of disembodiment. Chapter Three addresses Solmaz Sharif’s Look, focusing on poetry’s movement between different geographical spaces and time frames to present a wide range of disembodiment(s) experienced by not only Solmaz Sharif, but also by other Middle Eastern subjects. The Conclusion Chapter demonstrates that the theme of embodiment and disembodiment supports Hammad and Sharif’s efforts to give voice to the silenced experiences of diasporic Middle Eastern women. / Thesis / Master of Arts (MA)
| Identifer | oai:union.ndltd.org:mcmaster.ca/oai:macsphere.mcmaster.ca:11375/24124 |
| Date | 11 1900 |
| Creators | Kaynak, Oznur |
| Contributors | Coleman, Daniel, Goellnicht, Donald, Hirji, Faiza, English and Cultural Studies |
| Source Sets | McMaster University |
| Language | English |
| Detected Language | English |
| Type | Thesis |
Page generated in 0.003 seconds