The theme of this diploma thesis is perception of time within the
audiovisual work. Particular attention is paid to the audio component of the
audiovisual work, from which perspective is seen the phenomenon of time. First
there is briefly introduced understanding of time evolved within the philosophical
context. The next part presents film as a medium that, from its formal nature,
brings new impetus that further develops the thinking of time. After this
introduction work focuses on the way of perceiving time within the sound itself,
respectively in music composition. It is based on the findings of psychoacoustics
and, above all, on the theoretical considerations of French composer Gérard
Grisey, to which is trying to find parallels in the context of the sound dramaturgy
of the film work. The last part deals with time relations arising from the
relationship between film image and sound. It is trying to question and then
generalize specific formal relationships within the audiovisual work, influencing
the subjective perception of time.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:371147 |
| Date | January 2017 |
| Creators | Richtr, Jan |
| Contributors | KUDLÁČ, Jakub, REJHOLEC, Pavel |
| Publisher | Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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