This thesis considers how Samson Occom and Joseph Johnson, Mohegan writers in Early America, used the hymns of English hymnodist, Isaac Watts. Each chapter traces how either Samson Occom or Joseph Johnson's adapted Isaac Watts's hymns for Native communities and how these texts are sites of affective sovereignty.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc984204 |
| Date | 05 1900 |
| Creators | Ridley, Sarah Elizabeth |
| Contributors | Porter, Dahlia, Cervantes, Gabriel Antonio, 1973-, Calcaterra, Angela |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | iii, 78 pages, Text |
| Coverage | United States |
| Rights | Public, Ridley, Sarah Elizabeth, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
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