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Two Keyboard Sonatas of Johann Christian Bach and Carl Philipp Emanuel Bach: A Historical Perspective

After examining biographical and stylistic influences on the work of J. C. Bach and C. P. E. Bach, this study analyzes and compares the two sonatas under discussion. Each sonata is placed in historical perspective by relating its outstanding formal and stylistic features with conservative Baroque or more progressive Classical tendencies. In addition to the recorded performance of the Sonata in E-Major, Op. 5, by Johann Christian Bach, and the Sonata in G-Major from Fur Kenner und Liebhaber, Vol. 1, by Carl Philipp Emanuel Bach, this dissertation includes three tape recordings of selected piano works of D. Scarlatti, F. Haydn, W. A. Mozart, L. V. Beethoven, F. Schubert, F. Mendelssohn, F. Liszt, S. Rachmaninoff, and C. Debussy.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc330661
Date08 1900
CreatorsSherwood, Anne Kathryn
ContributorsBanowetz, Joseph, Walz, Larry G.
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatix, 23 leaves : music, Text
RightsPublic, Sherwood, Anne Kathryn, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved.

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