This dissertation explores the relationship between a literary work and its printed edition in the production of reputation--the editor as gatekeeper of the reputation of a minor poet. That relationship is demonstrated through a case study on the effects of the nineteenth-century edition of the works of the fifteenth-century poet Thomas Hoccleve and an analysis of the lingering effects of the Foucauldian editor-function.
The number of surviving manuscripts indicates that Hoccleves work was well-regarded during the early fifteenth century, but his reputation fell with that of other non-Chaucerian medieval poets as later critics lost linguistic familiarity with Middle English. The Victorian-era work of the Early English Text Society was intended to reclaim the positive reception for medieval works; however, the EETS offerings achieved just the opposite result for Hoccleves poetry and perpetuated the negative reputation the poet had acquired.
Frederick J. Furnivalls EETS standard Hoccleve editions, still in print, are largely unfavorable in the crucial prefatory matter, even though it is rife with transparent Victorian prejudices. Furnivalls text itself is haphazardly irregular, frequently producing--not reproducing--the same flaws the forewords criticize. As these blemished editions have remained the standard for over a century, Furnivalls editorial irresponsibility undoubtedly slowed the critical re-evaluation of Hoccleve, which began at the end of the twentieth century.
Identifer | oai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-1008102-162013 |
Date | 09 October 2002 |
Creators | Healy, Christopher Andrew |
Contributors | Malcolm Richardson, Jim Springer Borck, Carl Freedman, Susannah Monta, Renita Coleman |
Publisher | LSU |
Source Sets | Louisiana State University |
Language | English |
Detected Language | English |
Type | text |
Format | application/pdf |
Source | http://etd.lsu.edu/docs/available/etd-1008102-162013/ |
Rights | unrestricted, I hereby grant to LSU or its agents the right to archive and to make available my thesis or dissertation in whole or in part in the University Libraries in all forms of media, now or hereafter known. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. |
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