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Conspiracy Culture in America after World War II

Feminism has all too often been reified as a theoretical category. Specifically, Marxist critical categories fail to account for the integral importance of gender in any sociopolitical critique. This dissertation attempts to dereify gender and demonstrate a theoretical model that seamlessly integrates psychoanalysis, Marxism, and feminism. Conspiracy culture in America since World War II is an ideal aperture through which we may envision such a theoretical approach, and indeed see the critical need for such an approach. This dissertation looks at several post-war American conspiracy narratives, including Oliver Stones JFK and Nixon, Don DeLillos Libra, Sidney Lumets Fail Safe, John Frankenheimers The Manchurian Candidate, several novels by Philip K. Dick, and Fox Broadcast Networks The X Files. Through this study of conspiracy culture we see the post-war construction of masculinity and its connections to economic structures.

Identiferoai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-04072005-104024
Date07 April 2005
CreatorsHolliday, Valerie Rose
ContributorsPatricia Suchy, Kevin Mulcahy, Ed White, Elsie Michie, Katrina Powell, Carl Freedman
PublisherLSU
Source SetsLouisiana State University
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.lsu.edu/docs/available/etd-04072005-104024/
Rightsunrestricted, I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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