At the end of the Second World War, in August 1945, the Allies met at Potsdam and passed the decision to expel millions of people of German heritage living in Eastern Europe. Among some 3 million expelled from the Sudetenland in the Czechoslovak borderlands, were the violin makers of Schönbach. After the expulsion, German integration authorities attempted to resettle the Schönbach violin makers in Mittenwald, Bavaria. Though the village of Mittenwald was famous for its violin making industry, the integration of the two communities failed and the Schönbach masters were relocated a second time. The failure was due in large part to the two communities' inability to integrate their distinct violin making cultures. The study addresses the resettlement process from the perspective of government officials, local Germans and expellees and the debates among these groups in the postwar era. It is through these interacting perspectives that one comes to understand the culture of each community, the agency of its members, and the complexity of the resettlement process on a local level. Using Mittenwald as a case study, I argue that the process of integrating two German cultures was problematic, as each community sought to maintain their own local, cultural identity rather than subscribe to a shared German national identity. The failure of the Mittenwald plan demonstrates the pertinence of the local culture of each community and the limitations of a national imaginary in general processes of forced migration and resettlement.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:BVAU./2438 |
| Date | 05 1900 |
| Creators | Cairns, Kelly L. |
| Publisher | University of British Columbia |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | 2627650 bytes, application/pdf |
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