Seamus Heaney’s “Glanmore Sonnets” form the center of his 1979 collection Field Work. The sonnet series pose an interesting topic of study not only because they constitute a formalist move for a free verse poet, but also because of the way Heaney uses the sonnet form to demonstrate his view of time. In my examination of “Glanmore Sonnets,” I am interested in how Heaney fulfills and expands the traditional role of the sonnet.In this paper, I examine how Heaney’s “Glanmore Sonnets” both enact the sonnet’s traditional concern with immortality and time and expand the form to embody his view of the fluid nature of time and being.
| Identifer | oai:union.ndltd.org:MSSTATE/oai:scholarsjunction.msstate.edu:td-1930 |
| Date | 11 August 2012 |
| Creators | Bedsole, Anna M |
| Publisher | Scholars Junction |
| Source Sets | Mississippi State University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Theses and Dissertations |
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