In this paper, I argue that the performance artist Orlan uses feminist tactics of subversion in her presentation of the body as art. I enter the feminist debate over Orlan's work to indicate that the critics who consider the history of performance art produce more fecund discourse. At the same time, I encourage more discussion over the racial dimensions of Orlan's art, which I describe as de-colonizing her body's representation. / Master of Arts
Identifer | oai:union.ndltd.org:VTETD/oai:vtechworks.lib.vt.edu:10919/31365 |
Date | 11 October 2007 |
Creators | Lee, Kara |
Contributors | English, Hausman, Bernice L., Kiebuzinska, Christine, Kilkelly, Ann G. |
Publisher | Virginia Tech |
Source Sets | Virginia Tech Theses and Dissertation |
Detected Language | English |
Type | Thesis |
Format | application/pdf |
Rights | In Copyright, http://rightsstatements.org/vocab/InC/1.0/ |
Relation | Lee_Thesis_Final1.pdf |
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