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Father, God and Tyler's ghost : Fight Club as masculine quest and postmodern pastiche

Includes bibliographical references (leaves 180-188). / This study seeks to account for the numerous ways critics in reviews, magazine articles, journal articles and books have interpreted David Fincher's Fight Club. It also seeks to account for growing appeal of the film even though it was initially described as a failure at the box-office. The film clearly engages with many provocative ideas, leading to the many ways it has been interpreted. This exploration is facilitated through an exploration of the various labels that have been placed on the film and investigates to what extent the film manages to provide a coherent message beyond its mixed bag of 'hip' allusions.

Identiferoai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uct/oai:localhost:11427/11375
Date January 2008
CreatorsTessendorf, Clint David
ContributorsRijsdijk, Ian
PublisherUniversity of Cape Town, Faculty of Humanities, Centre for Film and Media Studies
Source SetsSouth African National ETD Portal
LanguageEnglish
Detected LanguageEnglish
TypeMaster Thesis, Masters, MA
Formatapplication/pdf

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